Tag Archives: #soulwork

Aphrodite and Me

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Vatican Museums. Image: Freepik.com

Sixty years ago, I sat in a café in Crete, pondering the myths I had encountered up close. They seemed less like artifacts of the past and more like powerful stories begging to be reclaimed. At twenty, on a solo adventure, I came from a young country where 100-year-old things were considered ancient and history was all about men. So it struck me hard: There were goddesses everywhere—in ruined temples, in the Mary Renault novels I was reading, and on the pots and artifacts I gawked at.

And that’s when I claimed Aphrodite as a muse.

I can’t say I spent much time in the years that followed investigating the goddesses, but I saw their competing messages. Hera, wife of Zeus, whispered of marriage, a predictable life, and the need to tolerate men’s excesses. Athena, goddess of wisdom, called me to my chosen work, to a feminine form of leadership in a chaotic, conflict-filled world. Both urged me to “settle down,” make plans, and create routines. But Aphrodite seemed the most complex, claiming beauty, pleasure, and mischief. Her sacred animal may be the gentle dove, but she is also a trickster, playing with humans, challenging other gods and goddesses, and meddling in the male worlds of war and love.

It was the beginning of “second-wave feminism,” which called women to expand their horizons and aspirations and consider different ways of being. I felt Aphrodite’s power as an embodiment of something clearly female yet not subservient.

It was an era when noisy, accomplished women were newly celebrated as beautiful—Gloria Steinem, Simone de Beauvoir—and they also claimed the right to choose love without letting love define them. Women hung on their words, marveling that they were so accomplished and also sexy, desirable, and desiring. They cultivated distinctive words and a distinctive look—hairstyle, clothing choices—as if it were easy to be exciting and powerful at the same time.

It was what I wanted.

And Aphrodite, along with Gloria and Simone, taught me to love my body, whether slim or pregnant. I didn’t like the little pad of fat on my knees, but otherwise I saw that my muscular calves, wide feet, and prominent collarbones did not deter the male gaze or women’s appreciative looks. I could be both physically attractive and interesting in a group of men and women while we engaged with bigger ideas.

But all of this reflects the superficial Aphrodite, captured by Botticelli as Venus on the half shell.

Sandro Botticelli, The Birth of Venus, Uffizi Gallery. Image: Wikimedia Commons

Oh yeah, beautiful but superficial. And goddesses don’t age: They have no stretch marks, wrinkles, or hip replacements. I now have all of these…and I am retired. Why, then, haven’t I put Aphrodite on the back burner, influential in my early life but irrelevant to an 80-year-old?

Because she gives me different guidance than when I was 20.

Because we also often use “superficial” for sensuality, pleasant conversation, and the quick attention we give an idea or image, storing it for later contemplation. But that is part of how I still try to live: not obsessed with one person or one passion, but open to the fleeting – and curious. Aphrodite meddles because she sees interesting details, wants to know more, and wants to see what happens if her touch changes the course of the wind or the meeting of eyes. I often need to remind myself to stay observant, to stay sensitive to life’s nuances. In those details, I find the most joy.  Rushing toward a goal, I may miss a beautiful flower, someone else’s kindness, a sky more beautiful than any painting.

Aphrodite is nothing if not social, weaving together the small and large details of others’ lives and bringing people together. Of course, I wouldn’t mind being called to solitary greatness, like Athena on the Acropolis, looking out over the world. But in the last years of my professional life, I really wanted to be Aphrodite, someone who brought all kinds of people together and encouraged them to create something new that would endure after I left. I love the story of Theseus establishing the cult and temple of Aphrodite Pandemos (Aphrodite of the people), where people celebrated her each year for fostering civic unity.

Relying on her mattered as my husband Dan and I, drawn by family, moved from Minneapolis, where we had lived for decades, to Boulder. Aphrodite encourages me, when I meet someone new for coffee, to say, “I think we can be friends,” an explicit gesture that invites relationships and connection beyond the superficial and seems to speed the dance of creating meaningful connection. The joy I feel from creating new bonds that matter—not displacing but adding to dense relationships that have grown over decades—is one way she works on me.

Her mischievous side—including her willingness to intervene in the lives of gods and mortals—is part of the story of my old age: no longer an elegant temptress but an everyday oldster who has adopted the credo “stir the pot and see what happens.” It doesn’t always work as I hoped—Aphrodite’s intrusions can sow chaos—but being playful still pleases me.  These days, however, I am much more comfortable apologizing if my playfulness misfires.

She still meddles with me. It just looks different at 80. More tender, more relaxed, but still pointing toward love, beauty, and relationships.  She is always calling me to slow down, pay attention, experiment, and have fun.  Aphrodite may be ageless, but she understands women’s aging with a fully female compassion.

Through a Tiny Door….

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My children and I disappeared down the rabbit hole with Alice and into a parallel world through a closet in The Lion, the Witch and the Wardrobe, while in the surrealist comedy, Being John Malkovich, a door leads John Cusack’s character into the eponymous actor’s mind.  But not all portals are doors: Peggy Noonan claims that, when she read War and Peace, she “entered another world”.  According to Arundhati Roy, the Covid pandemic should be viewed as a portal to a changed reality. In all of these, a portal is metaphor for an insistent call to experience the world differently.  Most people have had at least a brief glimpse of déjà vu, where you know, absolutely, that you are in a situation that you have lived through before…a portal. 

We can hunt for portals, but they usually appear by chance. I had that experience this week as I dropped a small pen and ink drawing off at a framer’s shop.

— East Heath Road–Google Maps

The drawing is of a street in Hampstead, London where my parents and sister lived in 1965-66, and where I joined them during the spring of my junior year of college.  I bought it several years later when I was again living in London and wanted to get my mother something special.  Then I didn’t  think about it until it ended up in my possession after she died.

But when the door of the fame shop clicked closed, I panicked.  No picture of the drawing?  Had I left it with a perfect stranger who would be holding it for two months? Racing to my next stop (which I distractedly drove past), I was struck:  the drawing was an unacknowledged portal to accumulated experiences that shaped my life. 

My excuse for leaving college was to research a senior thesis – on the improbable (invented) topic of the influence of the Spanish Civil War on the British Communist Party. I managed to secure access to the old British Museum Reading Room where, like all the “real scholars”, I could order my well-kept books and have them delivered to me on a daily basis. When I went to the more obscure Marx Memorial Library, guarded by a single elderly gentleman and embedded with decades of dust, I encountered for the first time the excitement of not only consuming knowledge, but also discovering it…a life-changing event, whose significance was revealed several years later when I decided to get a PhD in Sociology.

Somehow my parents agreed to let me travel by myself to Greece during that summer. Other than briefly meeting two friends in Athens, I took boats, busses and donkeys for three weeks, choosing where next to go based on the Guide Bleu (I hoped that it would improve my French).  I hitched rides with local young men on their motorbikes in Crete and shared retsina with elderly families on boats between the islands.  I left feeling adventuresome, brave, and that I could probably do whatever I wanted.  This was a new feeling for me and stirred my development into real adulthood.

I also fell in love with another undergraduate working in the British Museum Reading Room.  He introduced me to Cambridge, Indian food, and his London, ranging from Soho to Golders Green, and including most of the museums and bookstores.  At 20, to experience another country with a person who knew it inside-out, it was a revelation.  Since then, I have rarely wanted to be a tourist but instead to know another place through the eyes of people for whom it is just daily life.  That urge shaped a lot of the choices that I have made.in work, friendships, and what I like to read. 

I have relived these familiar stories many times, but until I dropped off the drawing I did not connect the dots.   Yet their linked temporal proximity clearly fashioned much of what I became:  I chose a life of discovery. International Karen (as my husband calls that side of me) became purpose rather than play.  I sought every opportunity to do research with colleagues in other countries, to discover what our cultures share and how they are  different.  I lived in other countries when I could, celebrating the small adventures of daily life more than the great sights.

Ok, I wasn’t spit out into a ditch in New Jersey like the John Cusak character.  But to take my insights from the Hampstead portal seriously, I must acknowledge that that my emergent purpose shut out other opportunities– like feeling rooted or having a home place, and exploring the fascinations of my own country.  What I need to consider now, without regret, is what I need to let go of.  A trip into a portal should be a stimulus to see the world differently and cannot be allowed to become a drag on whatever “future me” is emerging….

I am reframing the Hampstead drawing for my sister, who has always liked it.  My recent experience of it as a portal makes me even happier to give it to her: It has served its door-opening purpose for me. She will have her own version of the stories evoked by our flat in East Heath Road…or maybe she will be presented with a different portal.

Memory and Story

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Photo by Jon Tyson on Unsplash

When to the sessions of sweet silent thought
I summon up remembrance of things past (William Shakespeare)

A man needs such a narrative, a continuous inner narrative, to maintain his identity…(Oliver Sacks)

Much is made of the way in which memory erodes among the elderly – a group to which I am beginning to concede that I belong. Memory loss is considered normal, and it is true that my ability to recall information – the name of a restaurant that I loved in New York in 1970 or even the names of some of my childhood friends – is not immediate.  Now, my husband and I say that we are lucky to have two brains, which allows us to come up with a missing piece of information sooner.  Sometimes I kick myself when it is some simple, common word that has, slipped my mind.  Slipped my mind – memory is such a slippery thing indeed.

Recent research suggests that the slipperiness that I (and most of my friends) are experiencing is not the whole story.  We may have mild forgetfulness, but we are actually wiser:

“Some brain areas, including the hippocampus, shrink in size. …These changes can affect your ability to encode new information into your memory and retrieve information that’s already in storage. On the other hand… connections between distant brain areas strengthen. These changes enable the aging brain to become better at detecting relationships between diverse sources of information, capturing the big picture, and understanding the global implications of specific issues.” Harvard Health Newsletter

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This may be comforting to some people, but memory is still important to me —  Not the name of a restaurant, but the people who were there, the conversations we had that made us laugh, and how the evening created a friendship and endured for years.  I want to be able to summon up not just the grief that I felt at my mother’s funeral and any wisdom that I may have acquired about how to anticipate and live within grief (wisdom?), but also to remember that my cousin Butch played “When the Saints Go Marching In”, what words were spoken by whom, and even what I wore.  I want both to feel it very specifically AND to connect it to other events of loss in my life.  But I can’t remember what I wore….yet. 

The older I am, the more memories I carry and the more I need to make sense of these past events, feelings and images in the context of my life today.  This is what the practice of telling our story, whether orally, by journaling, or in a memoir, is about.  Oliver Sacks argues that “Every act of perception, is to some degree an act of creation, and every act of memory is to some degree an act of imagination.” But given my capacity to invent a past out of whole cloth, I have to work hard to prevent my story from being fiction!  In addition to reconnecting with past feelings – anger, grief, lust, joy – I want to give them additional color, and come closer to something real, with specifics. 

Recently, Karen Storm and I attended a writer’s retreat, where we planned to spent a chunk of our writing time working on the Karensdescant blog.  Instead, I woke up before the workshop feeling unnerved and vaguely remembering events from decades ago. By the time I got to our idyllic hermitage, I knew that I had to write about it – but my memories were fuzzy and still unsettling.  Karen Storm came with a less clear idea of what she might want to noodle on in addition to the blog, but was struck on the first evening with two old memories of her own that called her. 

In the end, we never talked about Karensdescant.  But we both happened on something more important – something that those increasing, branching, interlinked dendrites in our brains – the privilege of being old – demanded we attend to.  We wrote like maniacs, multiple pages infused with both tender and crushing details about important events falling into our computers,  connecting past events and people and finding new links with our present lives.  We were recalling information, pulling out succulent details that were not immediately at our fingertips, and making new stories out of past circumstances. 

In my case, it was clear that my memory of a very old relationship was encapsulated in a very short story that that I repeated so often, both to myself and others, that it seemed to be as real as the door to a room or a book on a shelf:  “We met and loved in wonderful places.  But it was too complicated.  It ended.”  But there’s the rub:  when I open the door to a room in my mind, I am amazed at what lies behind it that is unexpected – or what isn’t there that I was sure that I put away a short time ago.  When I open a book to reread it, there are sections that I don’t remember, while others that I starred on the first reading no longer seem as important as they did.  Anna Karenina is like that for me – it has a different meaning in every decade of my life.

It is not that my memories about that particular relationship are especially elusive – it’s the details that I have left out because they were (deliberately?) buried, or seemed trivial, that demanded some major rewriting. The editing included dredging up more information, but also a desire to make sense of old, lost relationships in the context of the life that I have subsequently woven, together with many others who I did not know or were not yet born, in the decades since.

Photo by Daniel Schludi on Unsplash

During the retreat, I wrote a different narrative that is much longer and has changed the way that I think, not only about that relationship, but all of my relationships with people  I have loved. This was not the Shakespeare of Sonnet 30, who descends into rather weepy nostalgia, but an urge to reorder my house to see that old things that still intrigue me are put into places where they connect with others parts of my life.  I can almost feel the dendrites communicating with each other. 

Friends who have worked with hospice patients talk about how they observe people holding on for a few more days to make sense of some aspect of their life that feel unfinished.  When I ask myself (or am asked) to remember more details, I find connections that I did not make in the past.  Or, I remember something that was said that changes the way I need to tell the story. What is different for many of us as we age is feeling a need to make sense of our lives more deliberately, with more care, whether we are writers, talkers, or scrapbookers.  When it comes down to it, we are all just trying to make a little more sense of this very non-linear project that is life.

BEGIN AT THE END?

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Photo by Benjamin Elliott on Unsplash

Planning is only the ego’s decision to be anxious now. ~Hugh Prather, Notes to Myself

Beginning with the end in mind is, for many people, the 13th commandment.  It is the second of Franklin Covey’s “7 habits of highly effective people”  and assumes that we need to be goal directed.  One business consulting website, for example, argues that each person needs to be able to articulate what they want but also:  What is the purpose of what I’m trying to achieve? What outcomes do I want? Why are these outcomes important/valuable?  While it appears that we are being asked about our principles, the underlying message is that effective people lead their lives according to one or more value-driven plans. But I don’t have such a plan and I never have had one.  So where does that leave me? 

Of course my assertion that I lived a goal-free life is an overstatement.  One example:  I knew early – before college — that I wanted to work with people in other countries.  I had no firm idea of what that would do for me but felt a persistent curiosity about places where assumptions about “how we do things around here” were different.  So I worked tirelessly to find opportunities, especially those where someone else might foot part of the cost.  My efforts worked out well:  I met many people who are still important to me and never felt that my time in strange airports and out-of-the-way countries was wasted.  But the goal of becoming what my husband calls “International Karen” was vague, guided by questions about what I might learn and how that might change me.  It required instinctive rather than logical responses to opportunities. Being curious helped when I accepted (for instance) an out-of-the-blue invitation to review a teacher education program in Azerbaijan, a country about which I knew almost nothing (another “I work for airfare” opportunity).   Paul Coelho asserts in The Alchemist, “When you want something, all the universe conspires in helping you to achieving it”.  But every encounter increased my questions and my longing rather than a sense of closing in on a goal. 

Longing for something (like becoming  International Karen) is not the same as having a goal.   A defined “end in mind” has some clarity, but longing is, for me, often shapeless and imprecise, shifting with accumulating experiences.  And that has become more so as I get older. 

I still long to live in another country (again) but need to balance that against the fact that Dan, whose company consistently grounds and delights me, does not share that longing.  I have a persistent fantasy about a tiny home in Georgia O’Keefe’s scrubby New Mexico landscape, with its unique amalgam of Gringo, Spanish, and Indigenous cultures, but am reminded that living hours from good medical care is unwise, much less coping with the an off-the-grid lifestyle and the lack of neighbors.  I play with more realistic versions of one aspect of this longing–silence and a particular kind of nature–in a glamping version of Nomadland.  Then I remember that I want to spend more time with my grandchildren, who are neither silent nor located in New Mexico. 

In other words, the inherent dilemmas between the experiences and relationships that I want are increasingly apparent.  As my wise older friend Larry often said, “I can do almost anything I really want, but not everything I really want.”  Longing is an element of my primal need to keep reshaping my life, balanced against other realities. I must keep examining my longing and what it is telling me….it is a voice speaking to me rather than having an end in mind.  I may long for multiple, incompatible futures, knowing that they express something of my heart’s desire.  But I only need to think about the more near-term future, which may mean trading off Nomadland in New Mexico for Christmas with family in Boston.  But longing is also never satisfied; there is no end to most of my dreams.  When I published my first book, I didn’t achieve an end – instead I peered into a whole new world in which I could think about and use words in ways that would give me pleasure (and maybe do something for others as well).

There is another, but decidedly non-Covey approach that is increasingly appealing as I (finally) exit an intellectually and spiritually engaging career.  I hinted at this when I wrote about my friend Barb’s work on choosing joy as a key to successfully negotiating the last 1/3 of life.  In my mid-70s, I am aware that realizing longing—turning it into a goal and a plan–is constrained by the unknowability of what the future holds and how that might reshape what I long for.  But I can choose which emotions I want to experience regularly.  Joy may be a bit exaggerated for someone who is Swedish-American to the core, but I can consider the meanings that the word evokes in me:  Happiness.  Flourishing. Engaged. Useful and not used up.

The past two years made it apparent that the next step is often revealed by unanticipated (and even unwanted) “opportunities”.  Most of us existed with a simple hope that a year-and-a-half of chaos and inability to plan for anything, including dinner with friends, would end. But it is complicated. In the waning phases of my paid work, someone recommended that I become a life coach.  Intrigued, I did my homework and consulted with friends who combined coaching with their research and teaching.  Seemed like a no-brainer and clearly a plan:  I could develop a small life coaching “business” as part of my retirement.  But I have not, in part because of COVID, in part because we moved away from my networks, and in part because I found opportunities to use what I learned in ways that that I did not anticipate.  I am not interested in being an entrepreneur.  Do I feel that I have been unable to achieve something I wanted?  Absolutely not:  Instead, I see the many ways in which coaching has just become part of how I live in relationship with others.  It changed me without becoming a goal.

I am beginning to understand that my inchoate and often unarticulated curiosity, imbricated with  longing and constraints,  conspire to help me to define “opportunity” more nimbly and make choices guided by something that is more instinct than intellect.  I admit that my mostly goal-free and mostly “successful” life has been a gift – and  try to appreciate the last lines of Robert Frost’s poem, Acceptance (which I will never fully live into):  

Let the night be too dark for me to see
Into the future. Let what will be, be.

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