
I walk down the hall of my new apartment building. Every doorway looks the same, gray, an apartment number, and a light to the side. Gray stretches indefinitely, soulless. I wonder if someday I’ll get lost in the sameness. I am a small, insignificant, older woman, putting one foot in front of the other in my daily trek to get my mail and newspaper, small things tethering me to the outside world.
Here it is 2025, and I’m still asking myself what it’s all about. When I was seven or eight, I’d scare myself by worrying that I was an actor in someone else’s dream. I didn’t exist. How could I be sure I existed, that I was real? And if I was real, why did I exist? I had no answer other than to immediately divert my mind and think about the next day when I’d call a friend to play with me.

Then college. I registered for a humanities course, with no idea of what humanities was except a requirement to graduate. In a crowded room in Ford Hall, I learned I wasn’t alone in doubting my existence. A French guy named Descartes asked himself the same question about his dreams and concluded “I think, therefore I am.” Had it been that simple all along, and I was just too young to see it?
Once I established my existence—after all a famous philosopher had confirmed it—I started to focus on why I existed—what was human existence all about?
Next was the 1966 movie, Alfie. I was 23 and about to marry. If you saw the movie, you know that Alfie, played by Michael Caine, is a handsome womanizer, oblivious to the pain he causes the women he “loves” and leaves. One lover has a son, and Alfie becomes a father. Alfie begins to attach emotionally, but then the mother takes the boy away. Alfie denies his loss by finding another woman, who’s married, and he gets her pregnant. She has an illegal abortion with Alfie present. There’s an incredible scene when he views the aborted fetus, and for the first time, Alfie faces his life.
The movie and the finality of the abortion has stuck in my head since 1966. It wasn’t the procedure itself that impressed upon my mind; I understood the woman’s reasons, Rather, it was the contrast between the hedonism that looked so attractive when Alfie lived it, and the woman’s dilemma, a life growing in her, but having that baby meant the possible loss of a husband and family, which, for all its problems was a life of meaning. The theme song still lives in my head, “What’s it all about, Alfie? Is it just for the moment we live? . . .” And here I am, 81 years old. I haven’t lived a life of hedonism, that’s probably why I made it to 81. But still I wonder what it is all about, especially as I look back, and realize my moment went by so quickly.
I’m guessing we all wonder what life is about. Having a purpose is touted as one route to an answer—of sorts. I recently heard about a program to inspire disengaged youth by helping them find a purpose. At the other end of the age continuum, we retirees are told that we’ll live longer and be happier if we find a purpose. Maybe we can all hide in our purpose and avoid the deeper question.
Then there’s the path of hedonism. I vividly remember my 50th high school reunion when we went around the room telling each other what we were doing with our lives fifty years after graduation. I was shocked by how many people bragged about their good lives of boating, dining, cocktails, and relaxing in Florida in the winter and Door County during summer (I grew up in Wisconsin). When it was my turn, there I stood, thinking life was about more than that. I stuttered that I was still working (my way of escaping the larger question).
Turning eighty pushed me to answer what it’s all about. It’s scary to me—I want to feel okay with my life because I don’t know what’s coming. I will always hear my mother, dying at 74, saying, “I’m not ready. There are things I need to do.”

A few Christmases ago my children gave me an Aura frame. It’s a tablet that flashes pictures at 15-second intervals. You load the pictures from your phone and other devices onto the tablet. At the time I was disappointed. “What am I going to do with this?” I thought.
Nevertheless, I placed the frame in a central spot, plugged it in, and synched with the Internet. There was my family. They had already loaded their favorite pictures of a growing, changing family of the past 25 years and even pictures from my and their childhoods. Gradually, I added some of my own and Jim’s family added pictures, too. I came to love my Aura. Jim and I would eat dinner at the dining room table and watch the screen, telling stories about the memories triggered by the pictures
Some days life reads like a fine novel. It’s all there: a great plot—my life; characters—family and friends I’ve loved; a climax—the 50’s and 60’s when family and work came to fruition; and now the denouement—old age and me asking once again, What is it all about, after all? It feels pressing, the need to know.
I walk into my apartment from my soulless hall, and there’s the Aura streaming my story line. I pause and watch: Jim, my sisters as children, our dog Eddie, Lake Michigan, my bicycles, our grandchildren, friend and fellow blogger, Karen, vacations, a big snapping turtle, a pileated woodpecker—you get the picture, family, friends, pets, this amazing planet, eighty remarkable years and memories, most everything I’ve loved and love. Aha, this is what it’s all about, I think.
The answer has been there all along, and I can give it to you in one word— love. It’s about love.
. . . for one human being to love another… is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation. Rilke








